About The New Era Music and The New Piano Virtuosity

For a long time we music students had followed the what the conservatories and music schools were programmed to teach with also individual studies we followed other great musicians. Before everything I should say I teach music to my students with 4 main subjects: Harmony, rhythm, melody and articulation. I put 3 main subjects under the "harmony": Functional (with the tonality degrees that solve to each other. 2- Non-functional that don't resolve to the degrees but still makes perfect sense. 3- Modal harmony that works with modal approaches (one or more than 1 mod in a given piece. When I talk about the 'new era' people think that it's basically how Debussy or Schoenberg did. One with approaching the lines with melodic understanding and the other one touches the subject with the atonal music matrix which doesn't allow any function to work but with mostly about creating colors (textures).

New era is the one that I found (from the Universe) is has a piano virtuosity in it also. If you look at the old music it makes people have hard time with the piano because of the lines and its nature. But if you look at my music (the new era) you will see 'effortlessly playing from top to bottom'. Very fast lines from bottom to top but effortlessly playing is there.

Another thing about the "new era" for sure I get inspired from the old music which is from 1600 to today but I play (improvise) / (compose) them in a way that piano technique doesn't create any block into my mind, it just follows the lines. I use more than 1 mod and mostly they resolve to each other with a new approach. For example: Experimental music + Schoenberg or very basic Bach + Chick Corea's approaches with less jazz texture in it. Because jazz wasn't a high understanding music. It was entertainment. The music I make here is for the rest of the humanity. It has to be for soul, mind, heart, body and most importantly it has to develop the humanity in general. That's why you can see the signs of Bach, Glenn Gould, Chick Corea, Horowitz, Richter in the understanding of this new music's technique.